Ayaka Fujisaki
Fanny Hill (Memoirs of a Woman of Pleasure)
Letter The Second
Thus Emily, who knew no art but that which nature itself, in favour of her principal end, pleasure, had inspir'd her with, the art of yielding, coy'd it indeed, but coy'd it to the purpose; for with all her straining, her wrestling, and striving to break from the clasp of his arms, she was so far wiser yet than to mean it, that in her struggles, it was visible she aim'd at nothing more than multiplying points of touch with him, and drawing yet closer the folds that held them every where entwined, like two tendrils of a vine intercurling together: so that the same effect, as when Louisa strove in good earnest to disengage from the idiot, was now produced by different motives.
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